Studio Sarah

Studio Sarah is an all-inclusive suite, comprised of a spacious studio, exclusive kitchen, wheelchair accessible toilets and two breakout rooms. Step-free accessible.

Scroll further down this page for key information on studio size, pricing, accessibility, facilities and more.

Information

Dimensions

98m² studio, plus kitchen and breakout spaces

Rate (Standard / Reduced)

Per day £353.00 / £282.00

Per hour* £53.00 / ‍£42.50

*Minimum booking time is 4 hours

Features

  • Exclusive kitchen

  • Wheelchair accessible toilets

  • A breakout room

  • A Quiet Room with ensuite toilet

  • Equipped with an upright piano, benches and WiFi

  • Vinyl flooring in the studio area

  • Plenty of natural light

There are additional charges for overnight storage. On-site parking may be arranged in advance, but please note spaces are limited.

Ideal for

  • Mid-to-large sized company rehearsals

  • Classes, workshops, schools groups, staff training groups

  • Musical and band rehearsals

  • Rehearsals with large props or set (with permission granted by SCRUM)

  • Filming

  • Dance and movement workshops*

*Please note: the floors are vinyl and unsprung; we do not currently provide floor-to-ceiling mirrors

Access Information

Step-free access

Step-free studio and facilities

  • Quiet Room

  • x3 wheelchair accessible toilets

  • step-free entrance

  • Parking next to the entrance can be arranged in advance

Door width into Studio Sarah: 90cm

Please note: hirers of Studio Sarah must agree to permit users of the Warehouse with accessibility needs to use the accessible toilets within Studio Sarah unit, as these are the only ground-floor toilets in the building.

We regret that there is currently no step-free access to our First Floor spaces due to extensive issues with the building’s lift. This impacts access to communal areas such as the upstairs kitchen and Quiet Room, the Mezzanine, SCRUMmage and NHB Resource Library.

Neurodiversity and sensory overload

Our building has a Quiet Room on each floor, with blinds to adjust lighting.

D/deaf or Hard of Hearing

Please get in touch with us at studios@scrumtheatre.co.uk for information about the acoustics of our spaces.

Meeting other access needs

If you wish to discuss something else that could be a barrier to your visit to SCRUM Studios, currently the best ways to get in touch are by email or over the phone.

Email: studios@scrumtheatre.co.uk

Phone: +44 7782 765995

We are keen to find solutions where possible, and we will always aim to get back to you quickly and transparently if we find we do not yet have the resources to meet an access requirement.

Studio Hero

Our rehearsal studios are named in honour of people we consider heroes from theatre history. Each studio features a mural of the hero its named after, painted by Will Dawkins.

Studio Sarah is named after the woman once described as ‘the greatest actress in the world’, Sarah Bernhardt (1844-1923).

Mural of Bernhardt, painted by William Dawkins. She's looking back at the viewer with a penetrating stare. Painted in black and white with a pop of red from her earrings.
  • (1844-1923)

    One night, at the climax of a production of La Tosca, the woman celebrated as ‘the greatest actress in the world’ threw herself from the parapet of Sant’Angelo prison, but there was no mattress beneath to break her fall. Sarah Bernhardt’s right knee never recovered. For the next nine years Bernhardt lived and worked with chronic pain until, by 1915, it became so agonizing that she resolved to have the leg amputated. Reassuring admirers that it wouldn’t halt her career, she insisted, ‘In case of necessity, I shall have myself strapped to the furniture.’ And she did.

    Dissatisfied with the prosthetic technology of the time, Bernhardt devised several alternatives, most notably a sumptuous white sedan chair which stagehands would use to carry her on and off the stage. Each theatrical production, film, and tour she would then embark on, including a tour of the front line to entertain the French troops, placed Bernhardt’s access requirements and autonomy at its centre.